Why dragging a bow makes a steady note: stick-slip and Helmholtz's travelling kink

30seconds
A bow moves at a steady speed, yet the string under it vibrates in an exact rhythm hundreds of times a second. The secret is stick-slip: rosin grips the string, drags it sideways, and lets go when the string's tension wins.
Hermann von Helmholtz found in 1862 that the string is really two straight lines meeting at a sharp kink that runs around it once per cycle. Drag the bow in slow motion, change its speed and distance from the bridge, and hear the ramp-and-snap sawtooth it makes.
More in Music & Sound
View all →
Why two steady rhythms can fight and still groove: the hidden grid of 3 against 2
Tap a steady beat with one hand and three evenly spaced taps in the same time with the other, and you get a 3:2 polyrhythm: two perfectly regular clocks that…
Why you hear a note that isn't there: the missing fundamental
Play only 220, 330 and 440 hertz and most people hear a note at 110 hertz — a frequency that is not in the sound at all. This is the missing fundamental: the…
Why two almost-equal notes make a wobble: beats and the piano tuner's trick
Play two almost-equal notes together and you hear one pitch that swells and fades. Those swells are beats, and their rate is simply the difference in…
Why a piano can never be perfectly in tune: twelve fifths overshoot seven octaves
Climb twelve perfect fifths and you should land back on your starting note, seven octaves up. You don't: you overshoot by 23.46 cents, nearly a quarter of a…
Why a flute and a clarinet sound different on the same note: harmonics and timbre
Play the same note on a flute and a clarinet, at the same pitch and loudness, and you can still tell them apart at once. That difference is called timbre, and…
Why sand on a vibrating plate draws pictures: Chladni figures
Sprinkle sand on a thin metal plate, draw a violin bow along its edge, and the sand leaps into sharp, symmetrical lines. Change the pitch and the picture…